lgageharleya
In this image we see Tyre with his left hand (receives from heaven holding aloft a sword and his right hand (transmits onto earth – as above, so below) but he has that hand in his pocket. He doesn’t want to share what he receives, he wants to keep that “sunshine in my pocket”
“In My Zone” by Rittz speaks of “up in my cutlass” – cutlass is the type of sword he holds (the better to cut the lass with, m’dear). At zoomed out first glance, it looks like the wild boar/Fenrir is so toast – done for, TYRant already has the apple stuffed in its mouth for the roasting to come….but look again – the boar (what a PIG she is!) actually has the transmitting hand he hoards torn off and in her mouth.
So Tyr, being defeated but not yet prepared to concede, sticks it back inside his pocket so to give people the illusion his hand is still there (his power and authority over the earth). This is the mystery of the Hidden Hand.This is also scripturally what Yeshua did, took back the keys Adam (and Esau) forfeited and handed them back to the believers.
You’ve touched in a major point; the hidden hand doesn’t actually exist, it’s been “marked.” Instead, only the viewers expectation that it is there is what gives it power.
This is a fundamental concept of how demonic beings work, and how the builders have operated to exert such influence; The rabbit was always in the hat, the hidden hand was never there.
Notice the subtle 666 buried in the upper clouds, and focus on the shape of the crown. If you can figure out where that shape comes from, then you will be well on your way to prompting chapter X.
The arch of the crown looks like a short musical score. The bottom looks like musical pipes or bells. The overall shape could be an auditorium, so an audience hall? Sun at the top, so I’m guessing it alludes to the Roman Catholic takeover and their heavy use of ponderous sounds, incense and rituals to mesmerize?
Their cathedrals strike enough awe just visually, but the echoes by design and chanting etc in a language few understood edified no one, only reinforced the “weight” and “depth” of the mysteries they stood within the cathedrals, yet outside of, to observe. This inspired enough trembling submission (along with the mandate to be Catholic) that it kept the people in line
The censer/censor added to the spell to mesmerize (what a cobra does to it’s prey) so they’d shut it and submit.
I’m probably about to take another onslaught now 🙂
All of this is correct to some degree. In chapter IX I discussed the chirality of objects and coils and spirals. The horns themselves represent a certain chirality of time and space, but are in reference to one specific place and practice from which this illumination was obtained.
In chapter X it will become clear. I am a bit absent because I am working tirelessly to condense all the information into the proper format for this medium.
Gem, the crown reminds me of the White City, Gondor. Tolkien was an allegorist, and I am going out on limb to say that the crown symbolizes something in regards to a city…..you have taught me, not in so many words, but somehow, to trust and go with my first gut instinct and I see a city.
Maybe this? reuters.com/article/uk-iceland-religion-pagans/iceland-to-build-first-temple-to-norse-gods-in-1000-years-idUKKBN0L70FN20150203
Thank you for all you do.
Gem, I just had the impression that the mummy with its mouth open is the struggle when trying to attain spiritual enlightenment – the “mummy” (demon) enters through the back of the head (like the demon hand on the back of 21 savage’s head in the Drake recent video promo images) and fights for access and supremacy – the sign they’ve won is the piercing through of the snake’s head through the forehead and out, worn as a sort of “tiara” type mark (of the beast), showing you are headed by that force. It was symbolized by the woman in the 5th Element, Leeloo “Pure Love”, whom, at the end was shot through with searing light the force of which threw her head back as it beamed upwards out of her mouth.
You can defeat it, but the struggle is intense and may take awhile – and they do try to sneak back in, so it requires spiritual muscles and awareness to catch them trying and to deny them access. Once this work is done, you crystalize the voices you allow to speak into your mind.
Hey AE-LG…..saw this artcle…..thought you’d appreciate this one:
“Gansabhauet in Sursee: Another creepy Swiss tradition during which a dead goose is beheaded by a blindfolded ‘thug’, wearing a sun mask and a red cloak”……..nothing to see here! LOL!
It’s just everywhere, isn’t it…….
https://strangesounds.org/2022/11/gansabhauet-in-sursee-another-creepy-swiss-tradition-during-which-a-dead-goose-is-beheaded-by-a-blindfolded-thug-wearing-a-sun-mask-and-a-red-cloak.html
Best…….
One of the mysteries in plain site, mimicked via the pinata for the masses…? The Bohemian Grove mimicked via the Burning Man?
Kinda resembles the old style winged helmets if looking at the shape of it. If it is,it would represent Roman influence over this version of Tyr. The trident is also the symbol for Neptune. I was going to say it’s a representation of Enki as he was the god of water,and along with the Neptune symbol would be a tale tale sign of this but Enki’s hat looks a little different. Interesting to see what it actually is for sure lol
Chiral Geometry and their manifestation in the material universe are the basis for these symbols. It relates to Noah’s ark, the rainbow, rams horns, and ILL-Lumination.
Ah….the coracle! The debate between was Noah’s Ark round (coracle) or almond shaped (‘magur’) or rectangular or pyramidal……I believe I had this homework assignment in the MBB post!
Or maybe this shape…
Triangular……Lorenzo Ghiberti doors…..Gates of Paradise
Rectangular….
I wonder whether all three were used, in succession? A form for each type of monolith being established?
What were the shapes of those ancient temples Gem showed us?
This is the Parthenon (1st horseman, Greece).
2nd horseman, Pantheon, Rome (round basket) mirrored hall to capture the saisons and project within the chamber to read the times.
3rd horseman, Babylon, the Temple of Inanna. Ishtar. She’s every woman. Rise of Feminism. “No one knows exactly why the Eanna District was walled off, especially when one temple, the E-anna (Sumerian for “House of Heaven”), figuratively housed both Inanna and An (Tyr-Anne/tyrant). Some, like Joshua J. Mark in his “Uruk” entry at Ancient History Encyclopedia, look at Inanna herself for a possible answer:
“…since Inanna is regularly depicted as a goddess who very much preferred things her own way, perhaps the walled district was simply to provide her with some privacy.”
Uruk was the birthplace of writing, stonework in architecture and the cylinder seal. It was also the birthplace of something hardly ever considered or discussed when looking at ancient firsts; “Uruk could also be credited as the city which first recognized the importance of the individual in the collective community,” Mark writes. (Source)
If Mark is correct, and the Eanna district was walled off simply to give Inanna her own space and privacy, then the birth of individualism under her watch is another piece of the puzzle that is this goddess, whose trials and tribulations to assert her dominance and power over everything, from gods to men, and even mountains, were the subject of many a myth and hymn.
With the eventual title of “Queen of Heaven and Earth,” (and you’ll see why I say eventual again, eventually) Inanna appears in the earliest god lists; she has been there since the beginning, as far back as 4000 BC, and pretty much set up the game for the Greek Aphrodite and Athena, as well as the Roman Venus.
Born in the Mesopotamian heavens, and, depending on the era in which a myth was told of which she was often a subject, Inanna’s genealogy is confusingly varied. She is sometimes presented as the daughter of An (Anu), the supreme sky god. Other times she is presented as the daughter of the water god Enki. Even the air god Enlil is presented as her father. And we’re not even done yet, because the renowned Assyriologist Samuel Noah Kramer traces Inanna’s parentage to the moon god Nanna and his consort Ningal in his book, Inanna: Queen of Heaven and Earth: Her Stories and Hymns from Sumer.
As for siblings, Inanna has a few. Kramer writes that Inanna is the sister of the sun god Utu (various other sources assert that they are twins, even), and through her myths we know that she is also the sister of the goddess of the underworld Ereshkigal, as well as the sister of the god of storms Adad.
Inanna started out and remained a goddess of agriculture. Because of this, her symbol and cuneiform ideogram were a knot of reeds, appropriately called Inanna’s Knot (harvest time).
The flexibility of Inanna’s fertility aspect extends to the Sacred Marriage, an annual event in which a high priestess and the king (or high priest if the king isn’t up to it) would perform a marriage and consummation ceremony between Inanna and Dumuzi. Also known as Dumuzid, Dumuzi was a god of fertility.
As Inanna expanded her domain, so did she acquire more symbols, including the eight-pointed star, aka planet Venus, and the eight-pointed flowery rosette. I like the way Chandra Alexandre describes these two eight-centric symbols in her post titled, “The Eight-Pointed Rosette Star of Inanna,” as “…images that capture both the intensity of a star and the subtle delicacies of a flower,” which “reflect well the Goddess’ paradoxical nature.”
Inanna was known as the Morning and Evening Star. The eight-pointed star of Ishtar (Inanna), aka planet Venus. The eight points represent “the movements of the planet,” aka the morning star, and it is why the city of Babylon had eight gates.
Lions were also a symbol associated with Inanna in relation to her war aspect. Other associations include lapis lazuli, as Inanna wore a necklace made of the precious stone that identified her as a harlot in one myth. Because Inanna represents both feminine and masculine aspects as a goddess of love and war, it is believed that the colors associated with her, “red and carnelian, and the cooler blue and lapis lazuli,” are meant to highlight those aspects.
Love is a battlefield…
Here is the source for all the above concerning Inanna (my grandmother was called “Nana”) in case anyone wants to read further: https://allmesopotamia.wordpress.com/2019/03/26/inanna-ishtar-shes-every-woman/
4th horseman, Egypt, the pyramid, apex, completion of the ascension. Those “enlightened” fully arise, sever from the lower dregs and “fly away”.
Definitely sounds like feminism: from the same source: “Inana/Ištar is by far the most complex of all Mesopotamian deities, displaying contradictory, even paradoxical traits.”
“In Sumerian poetry, [Inanna] is sometimes portrayed as a coy young girl under patriarchal authority (though at other times as an ambitious goddess seeking to expand her influence, e.g., in the partly fragmentary myth Inana and Enki, and in the myth Inana’s Descent to the Nether World). Her marriage to Dumuzi is arranged without her knowledge, either by her parents or by her brother Utu. Even when given independent agency, she is mindful of boundaries: rather than lying to her mother and sleeping with Dumuzi, she convinces him to propose to her in the proper fashion. These actions are in stark contrast with the portrayal of Inana/Ištar as a femme fatale in the Epic of Gilgameš.”
“I think it helps one work through this paradox to think of Inanna’s love aspect as an umbrella term that covers all the other stuff she is known for, like sex, passion, sensuality, and prostitution, all of which are ultimately tied to fertility as that stand-alone concept I talked about.
“Further, this treatment of the concept of fertility helps to explain why Inanna, who would become the Akkadian, Assyrian and Babylonian Ishtar, was never portrayed as a mother goddess. Dr. Jeremy Black explains this combo best while erasing the mother goddess image that usually comes to mind when we talk about a fertility goddess:
“One aspect of [Inanna’s personality] is that of a goddess of love and sexual behaviour, but especially connected with extra-marital sex and – in a way which has not been fully researched – with prostitution.” (Source)
“So, Inanna’s sensuality and sexuality are pretty prominent and very much entwined with her agricultural side–that connection is never broken and is almost always alluded to. Oftentimes, even, Inanna’s sexuality is a vehicle for that ever-present connection to be manifested.
(“Enkimdu (god of farming) and Dumuzi (god of food and vegetation) tried to win the hand of the Sumerian goddess Inanna.”)
For example, in the myth of The Courtship of Inanna and Dumuzi, there is a romantic exchange in which Inanna playfully asks Dumuzi: “Who will plow my vulva?” (Dumuzi says he will, in case you’re worried.)
We’re talking about sex and sensuality here, but the agricultural reference couldn’t be any clearer, right?
Now take for another example the myth of Inanna and the God of Wisdom; our subject is about to go on a, uh, non-sexual mission, one that will alter the Mesopotamian way of life altogether forever. After she puts on her crown and heads out, she stands under an apple tree, and, as Dr. Honora M. Finkelstein notes, ‘”she displays and exults in her “wondrous vulva.”‘
Finkelstein explains the reason for the seemingly out-of-the-blue reference to female genitalia here:
“This description, so straightforward in terms of showing her female power, demonstrates immediately that Inanna has moved into a new phase of her development—she is showing herself as ready to be both queen and sexual woman. Also, in ancient cultures, the vulva was seen as the source of all life; the world itself was sometimes pictured as having emerged from the female birthing canal. And the vulva, as vessel, was sometimes viewed as a container, a boat, an ark, etc.”
nd Inanna’s vulva makes appearances all over the place, including in the Epic of Gilgamesh, where Inanna’s sexuality and passion are on full display. In that story, she seduces and propositions the eponymous hero to be her lover, like so: “…stretch out your hand to me, and touch our vulva.”
Quite the far cry from someone whose marriage is arranged without her knowledge, huh? But here’s the thing: though this goddess is, shall we say, generally mercurial, there is a big picture to be seen through her myths, a cycle that explains how in one instance she’s having a marriage arranged without her knowledge and in the next asking a man to touch her vulva.
This idea of a cycle is introduced by Diane Wolkstein in her introduction to Samuel Noah Kramer’s book, Inanna: Queen of Heaven and Earth: Her Stories and Hymns from Sumer:
‘Here, then, is the Cycle of Inanna. In ‘The Huluppu-Tree;’ she [is presented] to us as a young woman in search of her womanhood. In “Inanna and the God of Wisdom,” she achieves her queenship. In “The Courtship of Inanna and Dumuzi,” she chooses the shepherd Dumuzi to be her lover, her husband, and the King of Sumer. In “The Descent of Inanna,” Inanna leaves for the under- world and is allowed to return from the Great Below only on the condition that she choose a substitute. In the last section of the cycle, the “Seven Hymns to Inanna,” Inanna is greeted and loved in her many aspects…
…the texts formed one story: the life story of the goddess, from her adolescence to her completed womanhood and “godship.”‘ (Source)
Inanna is a character, a heroine in a series, sometimes even an anti-heroine, fleshed out and having a literary arc.
What’s love got to do with it?”
This page is just a treasure trove of the last several decades, wouldn’t you agree??
Here comes the death mask: “It is believed the Lady of Uruk (or Mask of Warka) might depict Inanna’s face. If so, that’s quite the death stare, and one Gilgamesh and Dumuzi might have gotten before horrible things befell them.
So, we’ve established Inanna is a hypersexual being, to say the least, but we also need to put it out there that she was quite passionate for better and worse.
When her amorous proposition to Gilgamesh is rejected with not just a simple no but also a list of her past lovers and how she wronged each one, Inanna’s passion comes into play for the worse. I mean, that rejection enrages her to the point where she lashes out so hard, she causes the death of her brother-in-law, the Bull of Heaven, which eventually also leads to the death of Enkidu, Gilgamesh’s companion. Conversely, in her exchange with Dumuzi, we see love and passion with a dousing of sensuality: better (as long as we ignore Dumuzi’s fate at Inanna’s hand in a later myth, anyway).
The Gilgamesh example supports Mark’s description of at least part of Inanna’s persona (and will come full circle in a bit):
“…a brash, independent young woman; impulsive and yet calculating, kind and careless with others’ feelings or property or even their lives.” (Source)
Now just as important as what Inanna is, is what she is not.
We’ve established she’s not a mother goddess, but also, even as the bride in the Sacred Marriage, and even as a wife to Dumuzi, Inanna is never the model of a wife and neither is her marriage exemplary. In fact, Inanna’s description in The Mesopotamian Pantheon entry at Ancient History Encyclopedia states that she is often depicted as unmarried.
Mark quotes Dr. Black further on this subject in his Inanna entry:
“Inanna is not a goddess of marriage… The so-called Sacred Marriage in which she participates carries no overtones of moral implication for human marriages.”
Dr. Black goes on:
“Inanna is always depicted as a young woman, never as mother or faithful wife, who is fully aware of her feminine power and confronts life boldly without fear of how she will be perceived by others, especially by men.” (Source)
Through numerous Sumerian texts we see what Dr. Black means when he also describes Inanna as, “violent and lusting after power.” Two myths in particular, Inanna and the God of Wisdom and Inanna’s Descent to the Netherworld, demonstrate Inanna’s hunger for power in every area of her existence, and how far she’s willing to go to obtain it, regardless of what or whom is standing in her way.
In Inanna and the God of Wisdom, our subject sets her sights on the Me, a set of divine decrees that Kramer describes as the “basis of the culture pattern of Sumerian civilization.”
To possess the Me is to possess power, so Inanna sets out from Uruk to Eridu, the home of Enki (the god of wisdom who is sometimes presented as her father, remember), who happens to be the guardian of the Me. After a lavish dinner and some drinking with his guest, a drunk Enki all but hands over the decrees to Inanna who absconds with them back to Uruk. Through this act she has essentially unseated Enki as the god of the most important city in Mesopotamia, thereby raising her status in the Mesopotamian pantheon while simultaneously replacing Eridu with Uruk as the most prominent city in all of Sumer. The myth is symbolic of the shift from one way of life to another in Mesopotamian culture; Mark writes in his Uruk entry at Ancient History Encyclopedia that Uruk was “the embodiment of the new way of life – the city,”; Eridu represented the old, rural way of life.
Alongside this myth explaining Uruk’s rise as the work of the gods, it also showcases Inanna’s hunger for power, this time for the good of the whole. Further, it showcases her manipulative side.”
Next, Inanna’s Descent to the Nether World, told in poem form, begins with the following:
“From the great heaven she set her mind on the great below. My mistress abandoned heaven, abandoned earth, and descended to the underworld. Inana [sic] abandoned heaven, abandoned earth, and descended to the underworld.” (Source)
In this myth, the goddess is not satisfied with just heaven and earth as her realms of power, so she sets her sights on her older sister Ereshkigal’s domain. Inanna descends to the underworld under the pretense of a sister attending the funeral of her brother-in-law and is met with a lot less hospitality than she was at Eridu. She is, after all, responsible for her brother-in-law’s death at this point, for it was her rage at Gilgamesh’s rejection that led to her summoning the Bull of Heaven, Ereshkigal’s husband.
Ereshkigal is understandably angry with her sister. She kills Inanna and keeps her in the underworld, from whence no one ever returns. And this is awkward, because it is with the help of Enki, the one from whom Inanna stole the Me, that she is able to go back to the land of the living, but only if someone takes her place in the underworld…them’s the rules, as they say. (“Corpse Bride” by Tim Burton)
Driving further the idea that her marriage is far from exemplary (and really making the title of this section come to life), Inanna chooses Dumuzi, her husband (I told you his accepting Inanna’s invitation to plow her vulva would not end well), to replace her in the underworld after finding he is not too torn up about her death.
This myth is telling of just how little thought Inanna gives to how her actions affect others; she attends her brother-in-law’s funeral for whose death she is responsible in an attempt to extend her domain by taking over her sister’s–a widow in mourning–only to use her husband as her replacement in the underworld.
Roxanne…(you don’t have to put on your red light)
Prostitution in ancient Mesopotamia is misunderstood by our modern standards. It’s okay, though, because even the ancient Greeks couldn’t wrap their minds around prostitution in ancient Mesopotamia. In the fifth century BC, the Greek historian Herodotus (c. 484-425/413 BC) famously visited Babylon and recorded a prostitution practice that pretty much forever tainted the image of the city as a place of excess, and loose morals and women.
Let’s now look at what Herodotus wrote:
“Every woman born in the country must once in her life go and sit down in the precinct of Venus [Mylitta], and there consort with a stranger…. A woman who has once taken her seat is not allowed to return home till one of the strangers throws a silver coin into her lap, and takes her with him beyond the holy ground…. The silver coin maybe of any size….
The woman goes with the first man who throws her money, and rejects no one. When she has gone with him, and so satisfied the goddess, she returns home, and from that time forth no gift however great will prevail with her.” (Source)
Sounds like a woman’s status is elevated rather than lost by the act Herodotus described here, therefore, it’s Sacred Prostitution he witnessed and not prostitution-prostitution.
The History on the Net article further explains this practice:
“Sacred prostitution involved temple priestesses of Inanna/Ishtar having ritual sex with male visitors to the temple, again releasing the divine fertile energy.” (Source)
Further, in an article from Ancient Origins titled “The Secret Life of an Ancient Concubine,” Joanna Gillan writes that men belonging to the elite ranks of some Mesopotamian societies, including Babylonia, took up concubines and visited them as prostitutes, helping them fulfill a religious duty. “…men would visit these women as prostitutes, which society not only condoned, but considered an honourable fulfilment of religious duty…,” writes Gillan, pointing out that these women were priestesses with high ranks in society of their own.
QUEEN! (Yassssssss….Queen!!)
(Sorry this is so long, but it’s such a perfect current snapshot, read along or no, as you will.)
“Throughout the land, men served alongside women at Inanna’s temples. They served her as priests, servants and sacred prostitutes. Mark writes in his Inanna entry that the reason both genders were employed at Inanna’s temples may have been “to ensure the fertility of the earth and the continued prosperity of the communities.”
This seems a good point at which to talk about the priests involved in the cult of Inanna/Ishtar, known as gala priests (Met Gala…?). Gala priests sang lamentations and had homosexual intercourse. In an article titled “Evidence for ***Trans*** Lives in Sumer” at NOTCHES, Cheryl Morgan explains that, “A gala is a temple employee whose job it is to sing lamentations…They appear to have spoken a Sumerian dialect called Emesal which was possibly reserved for women.”
But wait, there’s more. In an article at Hornet, titled, “How a Sumerian Goddess Turned Gender on Its Head,” R.S. Benedict writes about the most progressive aspect of Inanna; that based on fragmentary texts, the cult of Inanna performed a ritual involving a gender transformation ceremony. Benedict writes, “…it looks pretty clear that the goddess Inanna oversaw a ceremony referred to as the head-overturning, by which a man was transformed into a woman, and a woman transformed into a man.”
Keep in mind that all of what we’ve discussed so far is the feminine side of Inanna, a goddess often labeled androgynous, though not without controversy, and I recommend you give Cheryl Morgan’s article a read, as she thoroughly puts into perspective how complicated the subject of gender and gender transformation around Inanna and in ancient Mesopotamia truly are, and in how many ways the information we have can be interpreted and misinterpreted.
Nonetheless, let’s now talk about Inanna’s masculine aspect…
She is the warrior…(“Shooting down the walls of heartache….bang, bang!)
In his book, Inanna: Queen of Heaven and Earth: Her Stories and Hymns from Sumer, Samuel Noah Kramer writes about a movement in the third millennium BC that helped fuse an established Sumerian pantheon with an Akkadian one:
“During the third millennium B.C., there were periodic attempts to unify the various city-states in Sumer and Akkad; and with the increasing political centralization came a concurrent movement to bring together the many local gods and goddesses into one pantheon.” (Source)
With the help of his daughter Enheduanna (2285-2250 BC) (who would become the world’s first-named author and high priestess of the temple of Inanna at Ur and Uruk), Sargon of Akkad (c. 2234-2279) was able to create such a pantheon. Through her poetry, Enheduanna reinforced Inanna’s image as the feminine goddess that she already was, and gave her her masculine side.
Joshua J. Mark writes in his Enheduanna entry that the poetess basically took “a local Sumerian deity associated with fertility and vegetation,” and merged her with the “much more violent, volatile and universal Akkadian goddess Ishtar, the Queen of Heaven.”
So it was through Enheduanna’s writings that Inanna acquired her masculine war aspect, the title, “Queen of Heaven,” and the name Ishtar. As a result of these additions, cults dedicated to Inanna grew in popularity, and she herself grew in importance within the new Sumero-Akkadian pantheon.
And the war thing really stuck; one cited source I found mentions that battle itself came to often be known as the “Dance of Inanna.”‘
Through Enheduanna’s poem Inanna and Ebih, in which the frustrated goddess destroys a mountain against the advice of An, we get our first description of Inanna as an all-out warrior, complete with a shield and weapon:
“Goddess of the fearsome divine powers, clad in terror, riding on the great divine powers, Inana, made complete by the strength of the holy ankar weapon, drenched in blood, rushing around in great battles, with shield resting on the ground (?), covered in storm and flood, great lady Inana, knowing well how to plan conflicts, you destroy mighty lands with arrow and strength and overpower lands.” (Source)
Though she continued to be depicted naked when representing her feminine persona as an agricultural goddess of love and fertility, Inanna donned a suit of armor to represent her masculine aspect of war (see above). To complete the ensemble, she carried a weapon in one hand, and a bow and quiver of arrows slung across her shoulder that pointed out from behind her like rays (of death!). She rode into battle standing atop lions, sometimes sporting a beard to emphasize this masculine side.
Invoked by kings on the battlefield and off, the new goddess of war became their protector. Writing that Sargon of Akkad claimed Inanna as his “divine protector,” Mark also points to Gwendolyn Leick’s writing on how Inanna helped a king on and off the battlefield: “Sargon of Akkad claimed her support in battle and politics.”
Later, Sargon of Akkad’s grandson Naram-Sin (c. 2254-2218 BC) would also follow suit and invoke her in his inscriptions, referring to her as the “warlike Ištar.” (Source)
I can’t help but credit this important function as protector and advisor to kings as at least half the reason for Inanna’s survival beyond the shift away from goddess worship in Mesopotamian religion.
Girl from Uruk goes to Babylon…(the mighty, fighting Uruk Hai)
Mark, in his Inanna entry, clarifies for us how truly ahead of their time Sumerians were when it came to women: “In Sumerian culture women were regarded as equals and even a cursory survey of their pantheon shows a number of significant female deities…” But this didn’t last long, unfortunately, as women lost their status in Mesopotamian society, particularly under the reign of Hammurabi (1792-1750 BC), as did goddesses in the Mesopotamian pantheon.
But not Inanna/Ishtar.
“The fact that the Sumerians could conceive of such a goddess [as Inanna] speaks to their cultural value and understanding of femininity,” Mark writes. And it is precisely that very representation of femininity that I believe is the other half of what saved Inanna from a fate of obscurity. As HAMMURabi minimized and eliminated goddesses to replace them with male deities, there was still a need for a representation of femininity and womanhood. It seems no amount of patriarchy can erase the importance of femininity and its power.
(There is a picture here with 8 statuettes subtitled, “Just a bunch of Inannas”(Menumenump, Na Na, Nananna…)
Inanna survived long, far and wide, and went on to become the most recognizable and accessible goddess in the whole of the Mesopotamian pantheon, worshiped and served by both women and men. To this day, women looking to tap into their inner goddess turn to Inanna, marveling at her embodiment of womanhood, and taking cues from her in how to be unapologetically a determined woman, or just simply yourself, regardless of your gender. Never apologize for being yourself, she seems to be telling us women and men alike.
“Inanna made people want to serve her because of who she was,” Mark writes.
And who was Inanna?
Why, every woman, of course.”
I don’t know why, but what came to my mind after reading your comments is the famous French revolution Delacroix painting.
You also have cutlass, the beast here is the old royal religious order, down you see a man with a naked breast and a foot for masonic oath.
And of course the woman: Marianne that leads the revolution, like a french Kali
WOW. I knew that the overthrow of local liegelords was designed overthrow for the dragons to consolidate power in the guise of freedom (just as we see now across the globe over the last remaining hold-outs) but I’ve never seen this painting. Thank you!
They always have their “Mary’s” don’t they? Even JESUit usurps their name for Yeshua – Jesus.
Exactly, in France, the symbol of the republic is the Marianne.
In the painting we see clouds as a pyramid, to tell us it was a freemason revolution, the kid with the mason envelope bag. This is the most famous painting about French revolution, i try to understand it.
The picture here is the seal of France in 1848, it looks like a famous monument NY.
The statue of liberty is also a Marianne. I think these Maries represent the revolutions and descruction that will give birth to the antichrist.
We find this female divinity in almost all cultures: Kali, Diana, Mary, Hator in old egypt, … . I also try to understand this concept of God sexuality we find in old religions
This is amazing, thank you! It really fleshes out my recent path for me. I’ve felt (embodied?) all these entities, one after the other (I know, sounds nuts) and have had to fight them (within my own self/nature) and defeat them. It was nearly unbearably hard at times (touch and go) but I had tremendous ever-present help,
John 14
King James Version
14 Let not your heart be troubled: ye believe in God, believe also in me.
2 In my Father’s house are many mansions: if it were not so, I would have told you. I go to prepare a place for you.
3 And if I go and prepare a place for you, I will come again, and receive you unto myself; that where I am, there ye may be also.
4 And whither I go ye know, and the way ye know.
5 Thomas saith unto him, Lord, we know not whither thou goest; and how can we know the way?
6 Jesus saith unto him, I am the way, the truth, and the life: no man cometh unto the Father, but by me.
7 If ye had known me, ye should have known my Father also: and from henceforth ye know him, and have seen him.
8 Philip saith unto him, Lord, show us the Father, and it sufficeth us.
9 Jesus saith unto him, Have I been so long time with you, and yet hast thou not known me, Philip? he that hath seen me hath seen the Father; and how sayest thou then, Show us the Father?
10 Believest thou not that I am in the Father, and the Father in me? the words that I speak unto you I speak not of myself: but the Father that dwelleth in me, he doeth the works.
11 Believe me that I am in the Father, and the Father in me: or else believe me for the very works’ sake.
12 Verily, verily, I say unto you, He that believeth on me, the works that I do shall he do also; and greater works than these shall he do; because I go unto my Father.
13 And whatsoever ye shall ask in my name, that will I do, that the Father may be glorified in the Son.
14 If ye shall ask any thing in my name, I will do it.
15 If ye love me, keep my commandments.
16 And I will pray the Father, and he shall give you another Comforter, that he may abide with you for ever;
17 Even the Spirit of truth; whom the world cannot receive, because it seeth him not, neither knoweth him: but ye know him; for he dwelleth with you, and shall be in you.
18 I will not leave you comfortless: I will come to you.
19 Yet a little while, and the world seeth me no more; but ye see me: because I live, ye shall live also.
20 At that day ye shall know that I am in my Father, and ye in me, and I in you.
21 He that hath my commandments, and keepeth them, he it is that loveth me: and he that loveth me shall be loved of my Father, and I will love him, and will manifest myself to him.
22 Judas saith unto him, not Iscariot, Lord, how is it that thou wilt manifest thyself unto us, and not unto the world?
23 Jesus answered and said unto him, If a man love me, he will keep my words: and my Father will love him, and we will come unto him, and make our abode with him.
24 He that loveth me not keepeth not my sayings: and the word which ye hear is not mine, but the Father’s which sent me.
25 These things have I spoken unto you, being yet present with you.
26 But the Comforter, which is the Holy Ghost, whom the Father will send in my name, he shall teach you all things, and bring all things to your remembrance, whatsoever I have said unto you.
27 Peace I leave with you, my peace I give unto you: not as the world giveth, give I unto you. Let not your heart be troubled, neither let it be afraid.
28 Ye have heard how I said unto you, I go away, and come again unto you. If ye loved me, ye would rejoice, because I said, I go unto the Father: for my Father is greater than I.
29 And now I have told you before it come to pass, that, when it is come to pass, ye might believe.
30 Hereafter I will not talk much with you: for the prince of this world cometh, and hath nothing in me.
31 But that the world may know that I love the Father; and as the Father gave me commandment, even so I do. Arise, let us go hence.
The antichrist is defanged. All is now smoke and mirrors (as it always was….just backed by the hidden “magickal glamours” as “proofs”). But those stolen powers have been returned to their rightful places, balance restored.
1 Corinthians 15:53-55
King James Version
53 For this corruptible must put on incorruption, and this mortal must put on immortality.
54 So when this corruptible shall have put on incorruption, and this mortal shall have put on immortality, then shall be brought to pass the saying that is written, Death is swallowed up in victory.
55 O death, where is thy sting? O grave, where is thy victory?
All you will witness now is “The Wheel in the sky keeps on turning” – the Cosmic Wheel already set into motion, like a massive ship set 0.2* off True, on autopilot.
Still, NO FEAR.
Hebrews 9:27
King James Version
27 And as it is appointed unto men once to die, but after this the judgment:
None of us ever knew our time to die anyway, did we? Why is this so vastly more fearful? Take comfort!
2 Corinthians 5:8
King James Version
8 We are confident, I say, and willing rather to be absent from the body, and to be present with the Lord.
This is why the world hears how TERRIBLE and arse-backwards the south is (while they all come down here and party and luxuriate in our SOUL and kind openness and glamour, even as they spit on us, call us filthy w****s and snatch up all the best foods we grow and catch. They leave us with the ‘possums, the nutria, the roadkill, squirrels and turtles if we’re lucky – then great chefs come down also and learn the ways of the soul foods and go market them and increase their fortunes. This is my simmering anger – now, apply this to what they do to the Mother’s children as well and multiply THAT! …to infinity. ….and beyond.
youtu.be/7uuT4KOB4yM
Lyrics:
So there’s oil comin out your mouth
And you can shut it off you can close it down
And yes I love my filthy dirt south
So we are all lead like lambs to the slaughter
While the big coorporation f^$k up our water
Please dont sit back sit back in awe
(well yea) all in line pullin our last straw
Eh eh eh eeee, oh oh oh ooooooh a a a e eeee, o o o oooooh yeeaaa
And if you muddy my water i’ll come after you
And if you muddy my water then i’ll come after you, and if you muddy my water I’ll come after you
And if you muddy my water I’ll coem after you
So there’s oil comin out your mouth
And you can shut it off you can close it down
Yes I love my filthy dirty south, well yea
So we are all lead like lambs to the slaughter
While the big coorporation f@^k up our water
Please dont sit back sit back in awe
(well yea) all in line pullin our last straw
Eh eh eh eeee, oh oh oh ooooooh a a a e eeee, o o o oooooh yeeaaa
These passages brought on the water works thank you for posting. The Truth in them has become clear – as I struggled to make this move happen and as one problem after another came about and the move disintegrated before my eyes there was fear, blame, anger. But I sat with it praying and noticing and observing – it turned to peace and Knowing there is nothing to fear anymore. A cold heart has softened even more through Him and all that is has beauty, perfection and transformational love.
Praise YHWH!! Praise Yeshua, Our Liege-Lord and King!! Making free the captives*
Now you might better understand this passage, my friend:
John 4
King James Version
4 When therefore the Lord knew how the Pharisees had heard that Jesus made and baptized more disciples than John,
2 (Though Jesus himself baptized not, but his disciples,)
3 He left Judaea, and departed again into Galilee.
4 And he must needs go through Samaria.
5 Then cometh he to a city of Samaria, which is called Sychar, near to the parcel of ground that Jacob gave to his son Joseph.
6 Now Jacob’s well was there. Jesus therefore, being wearied with his journey, sat thus on the well: and it was about the sixth hour.
7 There cometh a woman of Samaria to draw water: Jesus saith unto her, Give me to drink.
8 (For his disciples were gone away unto the city to buy meat.)
9 Then saith the woman of Samaria unto him, How is it that thou, being a Jew, askest drink of me, which am a woman of Samaria? for the Jews have no dealings with the Samaritans.
10 Jesus answered and said unto her, If thou knewest the gift of God, and who it is that saith to thee, Give me to drink; thou wouldest have asked of him, and he would have given thee living water.
11 The woman saith unto him, Sir, thou hast nothing to draw with, and the well is deep: from whence then hast thou that living water?
12 Art thou greater than our father Jacob, which gave us the well, and drank thereof himself, and his children, and his cattle? (They are of the tribes of Jacob, but not the bloodline direct heir.)
13 Jesus answered and said unto her, Whosoever drinketh of this water shall thirst again:
14 But whosoever drinketh of the water that I shall give him shall never thirst; but the water that I shall give him shall be in him a well of water springing up into everlasting life.
15 The woman saith unto him, Sir, give me this water, that I thirst not, neither come hither to draw.
16 Jesus saith unto her, Go, call thy husband, and come hither.
17 The woman answered and said, I have no husband. Jesus said unto her, Thou hast well said, I have no husband:
18 For thou hast had five husbands; and he whom thou now hast is not thy husband: in that saidst thou truly.
19 The woman saith unto him, Sir, I perceive that thou art a prophet.
20 Our fathers worshipped in this mountain; and ye say, that in Jerusalem is the place where men ought to worship.
21 Jesus saith unto her, Woman, believe me, the hour cometh, when ye shall neither in this mountain, nor yet at Jerusalem, worship the Father.
22 Ye worship ye know not what: we know what we worship: for salvation is of the Jews. (Should read Hebrews – YHWH’s covenant children.)
23 But the hour cometh, and now is, when the true worshippers shall worship the Father in spirit and in truth: for the Father seeketh such to worship him.
24 God is a Spirit: and they that worship him must worship him in spirit and in truth.
25 The woman saith unto him, I know that Messias cometh, which is called Christ: when he is come, he will tell us all things.
26 Jesus saith unto her, I that speak unto thee am he.
27 And upon this came his disciples, and marvelled that he talked with the woman: yet no man said, What seekest thou? or, Why talkest thou with her?
28 The woman then left her waterpot, and went her way into the city, and saith to the men,
29 Come, see a man, which told me all things that ever I did: is not this the Christ?
30 Then they went out of the city, and came unto him.
31 In the mean while his disciples prayed him, saying, Master, eat.
32 But he said unto them, I have meat to eat that ye know not of.
33 Therefore said the disciples one to another, Hath any man brought him ought to eat?
34 Jesus saith unto them, My meat is to do the will of him that sent me, and to finish his work.
35 Say not ye, There are yet four months, and then cometh harvest? behold, I say unto you, Lift up your eyes, and look on the fields; for they are white already to harvest.
36 And he that reapeth receiveth wages, and gathereth fruit unto life eternal: that both he that soweth and he that reapeth may rejoice together.
37 And herein is that saying true, One soweth, and another reapeth.
38 I sent you to reap that whereon ye bestowed no labour: other men laboured, and ye are entered into their labours.
39 And many of the Samaritans of that city believed on him for the saying of the woman, which testified, He told me all that ever I did.
40 So when the Samaritans were come unto him, they besought him that he would tarry with them: and he abode there two days.
41 And many more believed because of his own word;
42 And said unto the woman, Now we believe, not because of thy saying: for we have heard him ourselves, and know that this is indeed the Christ, the Saviour of the world.
43 Now after two days he departed thence, and went into Galilee.
44 For Jesus himself testified, that a prophet hath no honour in his own country.
45 Then when he was come into Galilee, the Galilaeans received him, having seen all the things that he did at Jerusalem at the feast: for they also went unto the feast.
46 So Jesus came again into Cana of Galilee, where he made the water wine. And there was a certain nobleman, whose son was sick at Capernaum.
47 When he heard that Jesus was come out of Judaea into Galilee, he went unto him, and besought him that he would come down, and heal his son: for he was at the point of death.
48 Then said Jesus unto him, Except ye see signs and wonders, ye will not believe.
49 The nobleman saith unto him, Sir, come down ere my child die.
50 Jesus saith unto him, Go thy way; thy son liveth. And the man believed the word that Jesus had spoken unto him, and he went his way.
51 And as he was now going down, his servants met him, and told him, saying, Thy son liveth.
52 Then enquired he of them the hour when he began to amend. And they said unto him, Yesterday at the seventh hour the fever left him.
53 So the father knew that it was at the same hour, in the which Jesus said unto him, Thy son liveth: and himself believed, and his whole house.
54 This is again the second miracle that Jesus did, when he was come out of Judaea into Galilee.
Very interesting analysis AE-LG……What I find curious, is the ever changing shape of the Ark. If Gem’s AY were the original teachers of knowledge – architecture, agriculture, God’s Truth, etc – then boat building would have been a part of that.
So the question becomes: if the Luciferians twisted the AYs teachings, then which boat style was the true, original AY concept?
The Epic of Atraḥasis-the Mesopotamian account of the Great Flood, with Atraḥasis in the role of Noah? His boat was round…
Babylonian flood story (Epic of Gilgamesh- the character Utnapishtim is the flood survivor)? His boat was a cube, or was it?
The Noah’s Ark story where his boat was a rectangle, but possibly a softer shaped rectangle? See attached pic…
Interesting possibilities….
Check out this link for more info/interesting photos, if anyone is interested:
https://erenow.net/ancient/the-ark-before-noah-decoding-the-story-of-the-flood/7.php
Who’s to say there weren’t four, for the four corners/quadrants? A boat should be suitable for the local conditions, no?
If there are powers and principalities over certain regions in the demonic realm, wouldn’t it stand to reason they’d be mimicking this hierarchy too?
Maybe those ancients who came also had their own times and territories of care and used the most fitted craft for their environment?
I’ve had similar thoughts as well…
Think in scalar fractals and you will see better. Different time scales, different cosmic scales.
Our past, as a planet, has had more interference, from many ,many sources (people/beings), than we care to admit or completely understand , over such expanses of time, to where the people have long, long forgotten the original info/stories on earth.
More so,, i feel that such vast expanses of time seem to allow ‘them’ the opportunity to gain more footholds in different parts of the world with every new territorial meeting..
As Graham Hancock says, “We are a species with amnesia.”
Best
All the shapes of those flying vehicles you referenced resemble the temples built after them. These visitors (AY) arrived, gave divine knowledge and wisdom, then departed and the demon seed who’d learned at their feet usurped and hid this learning over time and became gods to these civilizations and temples were built for these humans wearing the fishscale armor of the AY (dragon scales – iridiscent – they, like moonstone and mother of pearl capture the rainbow within).
I was trying to convey that with my first copy/paste regarding the temples, but the spiritual warfare has been hyper-intense since 10/31, so my focus has been extremely divided.
Well , if you’re linking the AY with, let’s call them ‘space brothers’, then I really recommend you read, ‘Unlocking the Mysterious Kolbrin: Genetic and Global Cataclysms by Yvonne Whiteman’…..it’s a like $4.50 on Kindle…
Btw, I’ve thought this too….perhaps its why I kept asking Gem about the AY’s history and timelines….
I get the sense now that they are the shepherd children of the Elohim/Ennead. The Luciferian mimickry are the Nephilim and their giant offspring.
🤔
This looks like the Noah scene after they first emerge after the waters subsided. Noah got drunk and lay, uncovered. There is a priest about to offer sacrifice for thanksgiving.
There is a man, lying flat (levitating? leviathan..?) – the leviathan of which we see in the upper right corner, being sucked back into the wormhole as the angels hold the portal open…? His posture is interesting – receiving hand to heaven, body rigid, head tilted back. I don’t know why, but my thought was “arc d’triumph vs arc of hysteria. Perhaps leviathan, returned, bent the back to the hysteri(cal) point in rage for this triumph – this silent victory without striking a single physical blow?
Is this why El-ite-ists love to display the golden ard of hysteria?(L’arc de cercle, or the Movement of Modernism (1620–2020)https://scholarship.miami.edu › outputs › bookChapter
by NJ Timpano · 2021 · Cited by 1 — Timpano reviews the visual manifestation of the arc de cercle—a specific movement in hysterical attacks coined by Jean-Martin Charcot in the 1870s—
Same source: “Timpano reviews the visual manifestation of the arc de cercle—a specific movement in hysterical attacks coined by Jean-Martin Charcot in the 1870s—in order to better comprehend how and why hysteria was not the invention of nineteenth-century French medicine, but rather, a theatrically expressive “attitude” identifiable throughout the visual and performing arts from the Early Modern period to the present era. His research demonstrates that any distinction between “dramatic swooning” and “hysterical arcs” was largely an arbitrary division for artists and theater directors working from the Baroque era to the contemporary scene. Instead, the codification of the arc de cercle by modern medicine in the late nineteenth century was, in truth, a rather late attempt to explain a long-standing tradition of hysterical expressions that had already found power and meaning in the realm of the arts.”
That search showed results for Jehanne d’Arc. “She preferred to be called “Jehanne la Pucelle” or Joan the maid.” “Joan was French so Jehanne in English sounds most like Jan drawn out. To get a better sense of how it should sound pronounce Jeannette like Jan-et and drop the et to pronounce Jehanne. Her last name d’Arc sounds just like Dark in English. Joan was the daughter of Jacques d’Arc and Isabelle Romée. Joan’s mother’s surname Romée is thought to be a honorary name related to a pilgrimage she had once made to the papal city of Rome. Joan herself testified at her trial that: “My father was called Jacques d’Arc and mother Isabelle.” source: http://www.maidofheaven.com/joanofarc_jeannedarc_jehannedarc.asp
I don’t know how she relates.
Is this where you were talking about different ancient vessels? Including the vimana, which was rumored to be able to fly? Sailing the cosmic seas?
The round one was similar to the shape of the Moses basket…..that is the coracle! I loooooove me my post-it notes.
Yes…thanks for reading that AE-LG. Also, regarding the Paradise Doors, I found Gem’s note on how the doors were cast in bronze but gilded in gold is “their” sign of the Bronze Age being covered by “their” Golden Age, very interesting…
I have followed you and saved much of what you’ve written. Your knowledge is vast and your mind very nimble.
That is kind,, however at my age….nothing is nimble! 🤣🤣🤣
I was nearly disabled last year. Now, I feel my strength returning in ways I would have never believed. I am not young, either, but by American standards, many are broken down jalopies at my age, as was my case. I have been singing and dancing as I power walk my property this past couple of weeks (the kids may laugh, but let them – they laugh with me).
I cooked some store bought chicken yesterday and simmered the bones overnight to cook quinoa in this morning. a 4-5hr simmer was enough that I could crumble even the shafts of the long bones in my bare hands with minimal effort. They are leaching all the good and selling it to us as supplements (adulterated with more toxins) and feeding us frankensteinian monstrosities which lived, squeezed together in their own filth, slaughtered with cold disregard (and often wanton cruelty as “jokes”) then the parts left swimming in bleaches and other toxic substances to cover the (w)retched stink. If it doesn’t sell before it begins to stink again, back into the bleach for another round. After that, it becomes animal kibble. Our animals are getting “people” dis-eases now, too.
I can cook my own yardbirds and simmer the bones for days and they’re still hard as can be. And they need no bouillon or even spices, just salt and pepper to taste lovely.
I make batches of bone broth, every year, using organic local beef bones. Very nutritious! ‘Ol timey cookin’ for sure! LOL!
Yep, waste nothing.
It looks like two inverted Loch Ness monsters (the water serpent) back to back with the green being hillside by the lake of Loch Ness Scotland. The sea serpent myth goes all the way back to 565 AD by St Columba who is widely credited for converting Scotland to Christianity – he and his 12 desciples found the island of Iona 330 feet above sea level.
And Thelassa is both the waters above and the waters below. Together you have all come close to what hides in those waters.
I’m getting close to being done. But by the end you will understand how computers, the two beasts of sea and land and these forms are all related
Is it one of the Nereides? Possibly CALYPSo (the concealed one)? apoCALYPSo….
Or eLYSIAN-ASSA The Nereid of “royal delivery.” Elsian fields the place at the ends of the earth to which certain favored heroes were conveyed by the gods after death.
“heroic souls cavorting in the Elysian Fields”
a place or position to be aspired to.
“owning a fund management group seemed like a passport to the Elysian Fields of finance”
The as above would be the seas giving up a god to return to earth – the beast from out of the sea.
Virgil, Aeneid 5. 825 ff (trans. Day-Lewis) (Roman epic C1st B.C.) :
“Lightly skims the dark-blue chariot [of Poseidon] over the sea’s face: . . . then come his retainers . . . on the left are Thetis and Melite and maiden Panopea, Nesaea, too, and Spio, Thalia and Cymodoce.”
[N.B. 7 Nereids are named.]
I’m thinking there is a portal or veil in those waters
Wormhole/black hole. Bermuda triangle? Where is the airspace in the lay with Bermuda Triangle where planes were also rumored to disappear? It reminds of the Mists of Avalon, sailing across into Avalon, parting the mists (veil) and finding yourself inside a different world. A Wrinkle In Time.
Or maybe it holds the bottomless pit?
A stargate would be my first guess which is how Thelassa goes back and forth so is only seen once in a great while.
I picture the vortex in-between the upper and lower portions of the hour glass.
A veil or Wrinkle in Time is a good thought. That book and movie always had a significant place holding some kind of hidden truths.
I have some thoughts on the bottomless pit – and it has to do with the Annunaki. Going to barrage Gem with some questions about it soon lol
“great while” = great whale from the Bible ….. Moby Dick (?)
Thelassa is also a type of Dinosaur (Pleiosaur ?)
The Loch Ness has ‘cousins’
“Champ” in Lake Champlain , USA
“Chessie” in Chesapeake Bay, USA
“Ogopogo” in Okanagan Lake, British Columbia
Wow, I’ve never heard of those! You’re really good with the super obscure, to me, anyway.
Nessie has a very small head, no? So she’d be an herbivore? So, what does she have to do with all this? Is she the canary in the coal mine once the waters have been poisoned and uninhabitable? Furthers mankind’s grief to finally discover physical proof these gentle creatures have always existed, even as their bodies lay washed up on shore…?
As she’s an herbivore, will her destruction be used to harden yet further the militant vegan crowd who blame the wrong people for this toxic soup?
What would that mean for the hardline skeptics, in finally beginning to wonder what other myths and legends might just be real…? Perhaps this is also a final clarion call for them to lose the scales over their eyes? Everyone must be presented with full opportunity to see truth and choose to accept or to reject it.
I’m thinking….
Loch Ness = Thelassa = Dinosaur = Beast of Revelation
Thelassa is the water beast from the sea of Revelation, and other things too like dinosaur, god, mysterious conspiracy, crafty serpent.
See it all the time Dino-fuel at Sinclair Oil. Sin-Clair, Saint Clair, Teapot Dome Scandal; US Gov gave private oil companies no-bid contracts at Teapot Dome WY as well as in CA.
There are a lot of shenanigans with the whole “Dinosaur” story humanity has been fed they all tie in with big oil production “fossil fuels” all the while subduing free energy Tesla showed the world.
Maybe she will wash ashore due to some last, final oil spill, which will be used as the final coffin nail for the el-ites to Lock us into chloros “energy”.
Just noticed “chloros” backwards is Soro LHC.
LHC
from freedictionary:
LHC Large Hadron Collider (also on scientific-info.cern, along with – Large LHC-B Beauty and LHC Experiments Committee)
LHCC LHC Experiments Committee
LHC Light-Harvesting Complex
LHC Local Host Cache (think parasites)
LHC Left-Hand Circular
LHC Local Health Council (various locations)
LHC Les Horribles Cernettes (band)
LHC Little Hunting Creek (Virginia)
LHC Long Hair Community (website)
LHC Light’s Hope Chapel (gaming, World of Warcraft)
LHC Long-Haul Communications (National Missile Defense)
LHC London Homeless Coalition (Ontario, Canada)
LHC Luzon Hydro Corporation
LHC London Highland Club (UK)
LHC Local Harbor Control
LHC Lower Hatch Close
LHC Luminosity-Type Horizontal Cell
LHC Lost Himalayan City (Arctic Thunder game)
LHC Les Hale Chorale (Cedar Falls, IA)
LHC Legal Heir Certificate (Thashil Office, India)
acronymfinder has
LHC Lahore High Court
and several other locales that could be of interest…?
Interesting to see that backwards. Looking at the mirroring and different methods of hiding they use it can get pretty clear their meanings Gem has shown it over and over
Found this late yesterday, but fell asleep partway through trying to give you a few quick snapshots. In reading further this morning, I don’t believe snapshots do it justice. This strikes me as a powerful and very clear understanding (although I could be wrong). Regardless, points to ponder….
text.egwwritings.org/read/1441.419
That’s a good one AE-LG…….
Have to admit that I had a hard time following the text. For one, an introduction regarding Týr would have been helpful. But foremost, I can not see any pocket at Týr’s clothes – the motive is merely an arm missing its hand. That’s merely the reason why it is not visible where it would be expected, isn’t it? Here’s an alternate version of the illustration that is also much less withered:
The blood stains on his chlothes further indicate that the particular loss is not exactly hidden anyway. If there are passages in lore that talk about such an attempt of deceit it would be great to cite them here; but in this depiction I can just not spot the (attempted) deceite you are describing.
You do see how much sneakier the first image posted here is? You give a much clearer image that perhaps was published to fulfill the pact….
Just a big waste of analysis, when the dudes hand is in the boars mouth! There ain’t no pocket!! For crying out loud!
“Set-in Pocket — A pocket made by cutting an opening in the garment and stitching the pocket bag to the inside of the garment so only the opening is visible.
Technically a form of western shirt pocket, but we thought we’d single out the sawtooth pocket considering its widespread application on western shirts. Sawtooth pockets are a form of patch pocket that features a flap that resembles the teeth of a saw.
The opposite of patch pockets, jetted pockets appear from the outside as nothing more than a narrow, horizontal slit bordered by two thin strips of fabric or “welts” that act as an opening for the pocket bag that is concealed inside the garment.”
Hidden pocket for a hidden hand.
You see bloodstains? I see liquid gold (I’ve got [the Sunshine in my pocket)
Where does this picture come from?
I see no apple, i see 666 and a snake shape at boar’s feet
In one crown i see Atlantis trident
This is from the Icelandic Edda manuscript (1765-1766)
I saw the apple initially just at a quick glance, which is all I would usually take at an image like this. I have never cared for this artistic style.
We also live very rural and raise as much of our own meat as we can, so the wild pig roasts are familiar, warm images to me of friendship and fellowship and some delectable eatin’.
What a blessing to live in a rural area, i wish i could. I am doomed to live because of work and family in a big city
We’ve only lived here about 6 years and I am grateful every single day that I got out of the inner outskirts. We’re still closer than I’d maybe like, but I have work to do too, so it’s a very comfortable fit.
May you and your family be at peace and be very blessed.
testing post
The dude’s hand……
Is in the boars mouth!!!!
The wound is bleeding yellow.
There is no hand in any pocket.
There’s no pocket!!!!!!!!!
.
.
This is very similar to the digitized prints which, if you stare at them long enough to unfocus/shift focus, you can see the hidden image. Look at this one way and you see a golden stump, shift, and it looks like a hand inside a pocket. I don’t know if you’re old enough to remember, but we used to get Cracker Jacks and cereals toys and some of the coolest were little images of The Flintstones or other cartoon characters and you could hold the card and shift it from side to side and watch the images “move” – it was like holding (simplistic, but wOW!) live action between your fingers.
I can see both. It’s like an internal flick of blinds up and down – the stump is in the downward, the pocket is in the shift up. As above, so below. Hiding in plain sight. The best way to start to see is to just stare and unfocus – your eyes should eventually shift for you.
Christianity (at least some pastors) teach a similar concept, only it’s arrived at by faith (not requiring evidences) – when Christ was crucified and lay buried 3 days, his spirit was being tormented in hell (the price paid in full on our behalf) but when he arose, He took back the keys of hell and of death and gave them back to all who would believe, understand and follow Him.
That’s why we might truly say, “No eye has fully seen the beauty of the cross, and we have only heard the faintest whispers of how great You are” – Jeremy Camp, “Beautiful One”.
That looks like a cut off hand wound. There’s no pocket!
And that still doesn’t explain whose hand is in the boars mouth????
Was there any analysis of that hand in all the words above??
The modern equivalent is the bride’s blue and black dress vs the white and gold dress debate. Remember that? There was some hot argument over that, too, they even chose sides #teamblue
From wiki: “Grace and Keir Johnston of Colonsay, Scotland, the bride’s mother, Cecilia Bleasdale, took a photograph of a dress at Cheshire Oaks Designer Outlet north of Chester, England, that she planned to wear to the wedding and sent it to her daughter.[3] After disagreements over the perceived colour of the dress in the photograph, the bride posted the image on Facebook, and her friends also disagreed over the colour; some saw it as white with gold lace, while others saw it as blue with black lace.[4][5] For a week, the debate became well known in Colonsay, a small island community.[6]
On the day of the wedding, Caitlin McNeill, a friend of the bride and groom and a member of the Scottish folk music group Canach,[7] performed with her band at the wedding on Colonsay. Even after seeing that the dress was “obviously blue and black” in real life,[5] the musicians remained preoccupied by the photograph; they said they almost failed to make it on stage because they were caught up discussing the dress. A few days later, on 26 February, McNeill reposted the image to her blog on Tumblr and posed the same question to her followers, which led to further public discussion surrounding the image.[4][5]
Let me expand again re: the hand – the right hand is the transmitting hand touching earth in the “so below” – it is the hand by which we use the power (authority) we draw down from the heavens (universe, if you will) through the upraised left hand. It is how we channel that power to immediately affect things on earth. “The Right Hand Of God” – is also designating by who’s authority we operate. There are only two. You operate submitted to YHWH, Father of All Creation to help your fellow man, or you operate submitted to yourself/desires/ego/Lucifer, the greedy, grasping “god” who declares, “I AM!”
Yeshua already took the hand of the TYR-ants, but they know most of us don’t know that, so they “hide the missing hand” and keep the “SUNshine (true illumination) in their pockets for themselves and their own benefits while giving the rest of us lies, smoke and mirrors so we can never rise high enough to throw back the Wizard’s curtain and see he is a tiny man (tyr-ANT).
That’s why Masons must ascend through steps to be allowed to pick up the cookies doled out along their path, and why they must learn rituals and show themselves willing, able and approved to follow without hesitation whatever their masters command, trusting that it is for the “Greater Good” and in service of the “Great Work”.
If you balk at a task or make the non-ruthless choice, you remain where you are, you will ascend no higher unless/until you agree to the sellout.
A fantastic understanding. Remarkable
Well, to be fair, a lot of it you’ve already said or alluded to (have you ever heard Paul Simon’s “If You Be My Bodyguard”? This is exactly how the Simon Magus operate: (I FINALLY figured out a little fragment the new WORD Office! It’s fun once you know how to werk it!)
… A man walks down the street
He says, “Why am I soft in the middle, now?
Why am I soft in the middle?
The rest of my life is so hard
I need a photo-opportunity (Social Media! Tick Tok!)
I want a shot at redemption
Don’t want to end up a car-toon
In a cartoon graveyard“
(Bonedigger, Bonedigger
Dogs in the moonlight
Far away in my well-lit door
Mr. Beerbelly, Beerbelly
Get these mutts away from me
You know, I don’t find this stuff amusing anymore) – muttering to self
… If you’ll be my bodyguard (offer to the [somewhat more equal pitbull] mutts to protect the master builders)
I can be your long lost pal (Janus illustrated, just like the shifting image of the hidden hand – “long lost pal” vs I CAN BE (……you’re long lost, pal!)
I can call you Betty (my pitbulls sometimes wear ballgowns, sometimes Bo Peep tutus, but they aAAaalways look fABu-LO-so!)
And Betty, when you call me, you can call me Al (looks like A.I. in this font…)
**I will post my actual song portrait under A E in a minute because all my stylized stuff didn’t transfer – it’s just got more soooouuulll……**
I was becoming a lightning rod in (devil went down to) Georgia, the last time I nearly lost my mind (crAzy daze@) but I guess living just outside of the Music City really crystalized it for me (I’ve never been fond of Country Music, but I’m beginning to find it all has its charms).
Anywho, I find that nowadays, enlightenment just seems to come to me, like learning to take a fall from a horse (only have ever been on one at a county fair as a child of maybe 5 as a guided slow walk for a few of the master’s coins) so I hear – you go soft fetal to protect your face and core (hands over your face but mostly eyes) relax your other muscles as much as possible (why they say God protects drunks – they’re pretty zen’d/zoned out) and let your body hit and roll, and inertia kicks in and all that BAM energy, instead of shocking, bruising and breaking, just rolls it out and walks it off (red carpet promenade). Most of my enlightment is found, and also set to, a musical soundtrack (I’m like KRUNK in Emperor’s New Groove) and I find myself having a ball dancing to it – it’s like that old disco tune….mmmmmnnnn…..
Your recommendation to meditate (σκέπτομαι
sképtomai, and I LOVE this synonym: ruminate – chew it like cud, also: bethink (before you bespeak – have you noticed how overused and out of place the word “bespoke” is nowadays…? Curious and curiouser….
I guess we both know now we could play this game ad infinitum/ad nauseum (“And I can keep it up for as long as it takes” – Blues Traveler, “The Hook”
Let’s finish with them (for a real Ovation, check out their album BLOW UP THE MOON released on April 7, 2015. For the plans, See RUSH Grace Under Fire releasedApril 12, 1984 (we fans hAted the new techno sound, but it had to happen to finish their long, long tale)
My bad, let’s let Blues Traveler sample “The Hook”:
Suck it in suck it in suck it in
If you’re Rin Tin Tin or Anne Boleyn
Make a desperate move or else you’ll win
And then begin
To see
What you’re doing to me this MTV is not for free
It’s so PC it’s killing me
So desperately I sing to thee
Of love
Sure but also of rage and hate and pain and fear of self
And I can’t keep these feelings on the shelf
I’ve tried well no in fact I lied
Could be financial suicide but I’ve got too much pride inside
To hide or slide
I’ll do as I’ll decide and let it ride until I’ve died
And only then shall I abide this tide
Of catchy little tunes
Of hip three minute diddys
I wanna bust all your balloons
I wanna burn all your cities to the ground
I’ve found
I will not mess around
Unless I play then hey
I will go on all day. Hear what I say
I have a prayer to pray
That’s really all this was
And when I’m feeling stuck and need a buck
I don’t rely on luck because
The Hook brings you back
I ain’t tellin’ you no lie
The Hoooooook
On that you can rely
I’ve found I’ve internalized and somehow absorbed their rage – it crystalized inside of me and was hard as a splintered shard, but then Yeshua turned it back into flesh – the pulsing Talisman, light full of life – and then their rage became a tiny man bleating from inside a squawk box compared to mine.
I’ve rediscovered my love for hunting.
Howl at the moon.
Shout at the devil.
Here’s the original fonts I used for the Paul Simon sample – fonts combined with colors really convey emotion well.
Blues traveler lead sure conjurs John (Jim) Belushi.
Just a Travelin’ Jack-in-the-box, wailin the bluuuuueeeesssssss…..
My bad, that was RUSH Grace Under Pressure. Been under both so much I got them confused for a minute.
But I believe the bulk of the hunting got done (get ‘er done) last nite, so now all that remains is for the sheepdogs to go gather in the scattered flocks.
1 O holy night! the stars are brightly shining;
It is the night of the dear Savior’s birth.
Long lay the world in sin and error pining,
Till He appeared and the soul felt its worth.
A thrill of hope- the weary world rejoices,
For yonder breaks a new and glorious morn!
Fall on your knees! O hear the angel voices!
O night divine, O night when Christ was born!
O night, O holy night, O night divine!
2 Led by the light of faith serenely beaming,
With glowing hearts by His cradle we stand.
So led by light of a star sweetly gleaming,
Here came the Wise Men from Orient land.
The King of kings lay thus in lowly manger,
In all our trials born to be our Friend.
He knows our need— to our weakness is no stranger.
Behold your King, before Him lowly bend!
Behold your King, before Him lowly bend!
3 Truly He taught us to love one another;
His law is love and His gospel is peace.
Chains shall He break, for the slave is our brother,
And in His name all oppression shall cease.
Sweet hymns of joy in grateful chorus raise we;
Let all within us praise His holy name.
Christ is the Lord! O praise His name forever!
His pow’r and glory evermore proclaim!
His pow’r and glory evermore proclaim!
Listen to this voice of a very good father, then multiply that love by infinity and beyond. This is the heart of YHWH and Yeshua: youtu.be/nMkXRcIDRjs
The Rabbit was always in the hat. Or is it that there never was a hat?
Isnt it the hand of someone getting swallowed by the beast?
What’s the reference to this, Annoyed? It’s not ringing any bells just now.