A gory fetish featuring masonic pillars and checkerboard, all topped off with an occult discourse in the guise of political activism. Following in the footsteps of Katy Perry’s “Bon Appétit” sprinkled with Kill Bill vibes, BIBI yields to the narrative of “revenge against the system” to indulges in an explicit, senseless bloodbath.
Nothing revolutionary: its only credit lies in claiming a seat at the mainstream occult table. Yet just as people praised Squid Game, they’re bowing to BIBI’s macabre performance.
Expect to hear about the medias’ new favorite in the months to come.